Thursday, August 30, 2012

Assessment 1: Zachary Odgers (42820014)



Convergent Media in Relation to Music Video Online

Zachary Odgers - 42820014


With the rise of technology in the early 21st century musicians and record labels had to become creative about how they were to distribute their new videos. The answer came in the form of online video sharing sites such as YouTube and Vimeo.  Now in 2012 the music video programs such as RAGE on the ABC, Video Hits and even MTV have become less popular forms of distribution for digital media as new, more convenient forms have arisen.


The music video has been around since the early 1930s but didn’t gain mainstream television airplay until MTV was launched in the 1980s. MTV was revolutionary as the station played music videos 24 hours a day 7 days a week. The first song ever broadcast on MTV in America was The Buggles, “Video Killed the Radio Star.” A separate arm was also launched in Europe which was debuted with the Dire Straits, “Money For Nothing.


For years the television was the only place to see all the latest in music video. The birth of YouTube in 2005 changed the way that the modern age viewed music video. The television stations began broadcasting less and less music because people could just log onto YouTube and see any video that they wanted. It began what is known as a viral revolution in the way we are exposed to media (Hilderbrand 2007, vol. 61, pg. 48). For example on music television, if you missed the video then you would have to wait for it to come back around on a loop, whereas YouTube provides videos on demand.


Fig. 1
Vevo is a branch of YouTube that deals specifically in music videos. It was started in 2009 as a joint venture between YouTube and Universal Music Group. Vevo is where all the big, popular chart topping musicians post their new videos first.  In December 2009, the month Vevo was launched it was recorded as the most visited site in the US reaching 34.5 million individual views (Jarboe 2011, pg. Unknown). Vevo is also used as a marketing agent with artists being able to pay to have their video featured in the sidebar or a large hyperlinked image shown around the border of the video you are watching (see fig. 1). Vevo also provides a daily updated chart of what is the most viewed music video of the day, week or all time. With the week ending on the 2nd of September 2012, “Call Me Maybe” by Carly Rae Jepsen is in the number one spot.


YouTube, as a form of merging all types of media has opened up new area for bands to become more creative with their videos.  An example of this approach is the video for the song “Here It Goes Again” by indie rock band OK Go.  This video comprises of the band performing a routine on a series of treadmills and it is technical, but appears low budget. The official video has racked up almost 15 million views since first being uploaded in 2009 making it a viral video (Hilderbrand 2007, vol. 61, pg 51). The use of a viral styled video is a clever technique that is employed by band because many millions of people will view the clip, not just fans of the music. The song becomes commercially successful after people who have watched the video enjoy the song and download it later without knowing anything about the band themselves.


Music on YouTube has also been responsible for creating interesting channels that deal with specialty music. For example, the channel named watchlistentell. Which tours around mostly England getting well known indie music bands to perform one of their big songs acoustically. This channel has received more than 11 million views over all of their 36 videos. This style of “guerrilla gigging” is become increasingly popular on YouTube as many fans of these bands like the cross between live music and the studio recordings.


YouTube also allows everyday people to upload their own videos of covers or their own original songs. This uploading of videos is responsible for the launch of the career of names such as Justin Beiber. It also allows users to share their covers with other people all around the world with similar musical interests. This is an example of the one of the cover versions found on YouTube, “Whats Up” by the 4 Non Blondes, sung by a father and daughter. As mentioned earlier in the paragraph, YouTube allows amateur musicians that don’t often get recognised or heard to spread their music videos around for people to see, an example of this is Northern Beaches band, Four Litre Friday and their debut video “Yes No Maybe”.


In recent times YouTube has begun broadcasting big concert events live for people to stream on their computers. This has been a huge shift in the way we see music in video as the viewer was able to attend huge concerts live from their own home. The big concerts that were broadcast this year so for were Coachella (USA), Lollapalooza (USA) and Splendour in the Grass (Australia). In between acts the viewer could stay tuned into one channel to watch a series of highlights or interviews or they could switch channels to watch the proceedings on a different stage.


Digital media convergence in the form of online music video has changed the word in an immense way. It has changed the way receive music; it’s changed the way bands design music videos. The shift to online distribution of media and music has allowed also for the careers of musicians to begin as sites such as YouTube used daily by a large number of people.  The internet has been a huge step in music and it will continue to change well into the future.



Bibliography

DireStraitsVEVO 2010, The Dire Straits - Money For Nothing, online video, viewed 30/8/12, http://www.youtube.com/watch?v=wTP2RUD_cL0&feature=bf_next&list=FLHVR6Nn4NaAHY8-ffw7wvHg

emimusic 2009, OK Go - Here It Goes Again, online video, viewed 30/8/12, http://www.youtube.com/watch?v=dTAAsCNK7RA&feature=bf_next&list=FLHVR6Nn4NaAHY8-ffw7wvHg


fourlitrefriday 2011, Four Litre Friday - Yes No Maybe, online video, viewed 30/8/12, http://www.youtube.com/watch?v=-DolfHRTKho

Hilderbrand, L 2007, 'Youtube: Where Cultural Memory and Copyright
Converge', Film Quarterly, vol. 61, pp. 48-57.


Jarboe G 2011, YouTube and Video Marketing: An Hour a Day. John Wiley & Sons, viewed 30/8/12, http://books.google.com.au/books?id=GqGTN3LScAoC&dq=Vevo&source=gbs_navlinks_s


realitychangers 2011, What's up (What's Going On)- 4 Non Blondes Acoustic Cover (Jorge and Alexa Narvaez), online video, viewed 30/8/12, http://www.youtube.com/watch?v=tHqFWYYOUAM&list=FLHVR6Nn4NaAHY8-ffw7wvHg&feature=mh_lolz


TheBugglesVEVO 2010, The Buggles - Video Killed The Radio Star, online video, viewed 30/8/12, http://www.youtube.com/watch?v=W8r-tXRLazs&feature=bf_prev&list=FLHVR6Nn4NaAHY8-ffw7wvHg



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